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Although some focused on the work's weaknesses, others were captivated by the director's strong and distinctive style. Adam Hartzell Wonderful Days A.
Kitty has the hardest time, out of all her brothers and sisters, accepting Rebecca into her life, a fact she does not hide from her half-sister. Still, Kim has done more than can be expected of a first-time director. And yet, I find myself on the defensive side of the fence as far as its merits are concerned, despite its many flaws. Won-sang's behavior seems hardly motivated by any real emotion, much less jealousy.
We are left with just both these women and their loneliness and how and why that loneliness persists. Byeon's interactions with Cha are particularly effective, a lesson in how to render crusty characters with much surface antagonism between them essentially likable It is a nice touch that Byeon's Mr. It is that scene and one other that saves Mutt Boy from being a complete failure.
They turn to Kevin and Justin for support as possible surrogates. Wonderful Days is a mixed bag. The film is weighed down by so many plot twists and scenes that are meant to both moving and surprising, that at the end one just feels relief that it has finally ground to a close.
And explains the peculiar allegiance this Cleveland boy has for the Pittsburgh Steelers, the arch rivals of the Cleveland Browns. Despite being sprinkled with bits of humor, The Classic adopts a far more traditional melodramatic mode than its predecessor. She plays the character as being very frightened by the uncontrollable visions she sees, while at the same time being a bit spooky herself.
My heart just aches watching Mun's emotionally battered, retreating looks. It's not a great movie, lacking the energy and right-film-right-time zeitgeist exploitation of the dialectical Friend. So does Song Ji-hyo, whose excellent performance as Jin-sung allows her character to be both sympathetic and repugnant, with an added undercurrent of sadness. Her love interest, Hyun-jun, is, pardon my extreme expression, a complete idiot. On the other hand, the movie's technical accomplishments are top-notch.
Following the internet novel, the first two-thirds of the film focuses on the conflicts between the leading characters. Ultimately all their efforts would be in vain, and to this day nobody knows who the murderer was or whether he is still alive. Actually, the scandalous outer layer of A Good Lawyer's Wife can be peeled back to reveal a quite serious and nuanced core.
Ah, forgive my distracting digressions, I shall get right down to the point. Butterfly did not-too-bad business with more than thousand tickets sold nationwide, but was almost universally panned by the critics. Despite the star power surrounding Jeon Ji-hyun, the film underperformed at the box-office relative to expectations. This film also tries to put a spotlight on Kwon Sang-woo. Well, one subplot involving Joeng-shim's desire to have his, ahem, manhood properly circumcised, is indeed funny.
The idea itself is funny, I concede, as a parody of the illness that always afflicts the heroine in Korean melodramas. Well, not Into the Mirror. Sarah also spends time with Tommy trying to unlock the hidden accounts left by their father at the family business. In the scene just before Gah-in Choi Yoon-sun succumbs to the most harrowing aspects of her eating disorder, the refrigerator's mechanical buzz seems to call out to her.
Then again, the movie rather awkwardly attempts to boost the scare quotient by slapping together the oft-repeated conventions from mostly Japanese horror films. Han has now set his eyes on Seong-yeon. But that turns out not to be a problem, after all. All in all, Jealousy marks an auspicious debut for Director Pak, who adds her name to the increasing number of talented women directors in Korea.
Second year university student Soo-wan, who came from a poor family which owns a fried chicken shop, works as a private tutor to cover her expenses. More than anything else, it's extremely sad, and it hit me in a vulnerable spot. Apart from its local success, it was the best-performing Korean film ever to open in Southeast Asia, and DreamWorks even bought up rights to produce a remake in the U.
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